Film

Getting even in ‘The Other Woman’

(FILM REVIEW) Cameron Diaz, Kate Upton share a special bond as they plot and plunder

There’s a red-headed actress out there who can make all eyes in the place focus on her, even when she’s sharing scenes with better-looking people in the traditional sense. Leslie Mann, meet the legend of Lucille Ball. With the cock of an eyebrow, a twitch of the cheek or the unorthodox lift of a leg — or both legs — Mann is the pivot around which the comedy “The Other Woman” happily revolves. Mann, like the centerpiece of the classic comedy TV series “I Love Lucy,” “The Lucy-Desi Comedy Hour and “The Lucy Show,” probably would bowl you over with her good looks if you met her on the street. She is a movie star. She’s the wife of producer Judd Apatow. She’s piled up escalating credits from “The Cable Guy” to “The 40-Year-Old Virgin” to “This Is 40” and beyond. Using the formula that worked so well in the 1950s, 1960s and right up until her death in 1989 for the native of Jamestown, Mann’s most memorable moments come from her Gumby-like physicality and impeccable sense of comedic timing. Writer Melissa Stack and director Nick Cassavetes surrounded Mann’s character Kate King with beautiful people and given her a story that’s as interesting as it is unlikely.
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