Film

In Nightcrawler, every picture tells more than one story

(Review) What they get from Louis Bloom is what they want to see

Nightcrawler is what they call the camera-haulers who dash around Los Angeles when the sun’s down, listening to the scanner for police feeds. The goal: Arrive in time to capture the best video to sell to image-hungry competing early morning news shows. Louis Bloom stumbles upon this dark world literally by accident one night, a loser driving his so-so car along the roads of his city when he encounters a scene where unfortunates came to bad things. He talks to the guy who took the footage, soaks it all in, and his eyes and ears are opened to some possibilities. In this intriguing mix of crime-thriller and drama titled, quite appropriately, Nightcrawler, we already know that Bloom is pretty much a creep. At the start, though, he’s the run-of-the-mill kind, scruffing through back lots to “acquire scrap wire” to sell to a salvage yard. We did see him mug the security guard who stopped to question him to steal the expensive-looking watch that caught his eye. And then he tried to convince the salvage owner to give him a job because times were hard. The owner’s having no part of it. Why, Bloom asks, as much with his odd eyes as with as his weird voice. “Because I won’t hire a thief,” the wise owner says. And so writer and director Dan Gilroy has foreshadowed exactly what lies in the heart of Louis Bloom.
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