Share

Tweet

Share

Share

Email

Comments

Streamlining kept the 10th annual Syracuse New Times Syracuse Area Live Theater (SALT) Awards under two hours, but still packed in more gags, skits and episodes than ever. The event was held Sunday, Oct. 26, at Syracuse Stage, on the set of the current production of August Wilson’s The Piano Lesson. Co-hosts Rita Worlock, in three gowns, and formally dressed Carlos Clemenz cut short long-windedness and digressions. Seven musicians from retro rockers The Coachmen warmed up the crowd, followed by “One Day More” warbled by cast members of the Baldwinsville Theatre Guild’s Les Misérables. Companies projected video clips, like the Syracuse Shakespeare Festival’s Twelfth Night and Covey Theatre Company‘s Bonnie and Clyde. Covey also included a live scene from its forthcoming original drama, Lincoln’s Blood, opening Saturday, Nov. 1, at the Mulroy Civic Center’s BeVard Studio. And there was a taped greeting from a local boy made good, producer Richard Jay-Alexander. Strangely, all these moments made the evening feel shorter rather than long. The major local news story of the day could have derailed the evening but for a prudent decision by showrunner Ty Marshal. Longtime producer-actress Christine Lightcap succumbed to cancer earlier in the afternoon, as most revelers did not know. It would have been upsetting to announce this first, and so Worlock waited until about 20 minutes into the action. She abruptly switched tone and asked for 15 seconds of silence, and the house lights dimmed. Emotion remained in check until the end of the evening when, coincident with the news of the day, Lightcap won the Hall of Fame Award. Receiving the award were Lightcap’s two children, Kerry Lightcap and Kelly Daley, and longtime pals Marlene Raite and Brenda Neuss. Arguably, this made for the peak moment in 10 years of SALT ceremonies. Amid the consistently high spirits, the best spontaneous gag came from Robb Sharpe, who won Best Actor for Appleseed Productions’ The Prisoner of Second Avenue. He said it really helped to sleep with the director, wife Tina Lee, who also won a SALT Award. Obviously surprised and moved. Sharpe also delivered the evening’s most touching line. He admitted that he had been a fallback casting for the role when the original choice, Patrick Pedro, was stricken with Lou Gehrig’s Disease. His voice cracking with emotion, Sharpe held up the trophy and offered, “This is for you, too, Patrick.” This year’s SALT competition took several new directions. The new voters of the SALT Academy do not include anybody with Syracuse New Times connections. Even your ever-vigilant New Times reviewer, even though he sees everything, is not included. The new calendar now runs seasonally, September to September, instead of January to January. This conflates the professional summer companies with those of the winter, which means that Syracuse Stage no longer dominates the Professional category. Timothy Bond, however, was still the new SALT Academy’s choice for Best Director, for The Glass Menagerie. Professional trophies were divided two each among four companies: Syracuse Stage, the Redhouse Arts Center, Cortland Repertory Theatre and Merry-Go-Round Playhouse. Ithaca’s Hangar Theatre, which sometimes dominated the summer-only category, did not make this year’s final cut, also true of the always competitive Kitchen Theatre Company of Ithaca. Cortland Repertory artistic director Kerby Thompson, on stage to accept the Musical of the Year award for Les Misérables and Director of the Year (Musical) award for Sam Scalamoni, offered an emotional shoutout to summertime colleague Ed Sayles, the former artistic director of Auburn’s Merry-Go-Round Playhouse. The names of perennial favorites Kate Huddleston, Anne Fitzgerald and Navroz Dabu, as well as previous winners like Carmen Viviano-Crafts and David Minikheim, had scored again in nonprofessional competition. The lineup of producing companies, however, was entirely different. Christine Lightcap’s Talent Company was missing because of her confinement, while companies that have dominated the awards in the past were absent from the winners’ list, such as Garrett Heater’s Covey Theatre, whose Bonnie and Clyde was performed last summer at the Mulroy Civic Center. Emerging with laurels this year was Dustin Czarny’s Central New York Playhouse, with five trophies, many of them for Spamalot, and C.J. Young’s Appleseed with four. Eugene Taddeo’s TheatreFirst took home four awards with only one competitive production, The Drowsy Chaperone. And former Syracuse New Times publisher Art Zimmer, the Hamiltonian force of nature who got the SALT ball rolling 10 years ago, was on hand to accept a Founder‘s Award from the SALT Academy. “There will be only one Founder‘s Award,” announced New Times publisher Bill Brod, and that‘s a good thing because there will always be only one Art Zimmer.

2014 SALT AWARD RECIPIENTS

Professional Category

MUSICAL OF THE YEAR Les Miserables, Cortland Repertory Theater DIRECTOR OF THE YEAR (MUSICAL) Sam Scalamoni, Les Miserables, Cortland Repertory Theater PLAY OF THE YEAR The Glass Menagerie, Syracuse Stage DIRECTOR OF THE YEAR (PLAY) Timothy Bond, The Glass Menagerie, Syracuse Stage LEADING ACTRESS OF THE YEAR Laura Austin, Next to Normal, Redhouse Arts Center LEADING ACTOR OF THE YEAR Brian Detlefs, Bloody Bloody Andrew Jackson, Redhouse Arts Center COSTUMER OF THE YEAR George T. Mitchell, Mary Poppins, Merry-Go-Round Playhouse CHOREOGRAPHER OF THE YEAR Brian Collier, Mary Poppins, Merry-Go-Round Playhouse NON-PERFORMING PERSON OF THE YEAR Tony Vadala, Next to Normal, Redhouse Arts Center

Non-Professional Category

PLAY OF THE YEAR The Prisoner of Second Avenue, Appleseed Productions DIRECTOR OF THE YEAR (PLAY) Tina Lee, The Prisoner of Second Avenue, Appleseed Productions LEADING ACTRESS IN A PLAY Kate Huddleston, Death of a Salesman, Central New York Playhouse SUPPORTING ACTRESS IN A PLAY Anne Fitzgerald, On Golden Pond, Appleseed Productions LEADING ACTOR IN A PLAY Robb Sharpe, The Prisoner of Second Avenue, Appleseed Productions SUPPORTING ACTOR IN A PLAY Michael Riecke, The Normal Heart, Rarely Done Productions MUSICAL OF THE YEAR The Drowsy Chaperone, TheatreFirst Productions DIRECTOR OF THE YEAR (MUSICAL) Dustin Czarny, Spamalot, Central New York Playhouse MUSICAL DIRECTOR OF THE YEAR Abel Searor, Les Miserables, Baldwinsville Theatre Guild LEADING ACTRESS IN A MUSICAL Ceara Windhausen, The Drowsy Chaperone, TheatreFirst Productions SUPPORTING ACTRESS IN A MUSICAL Carmen Viviano-Crafts, Company, Rarely Done Productions LEADING ACTOR IN A MUSICAL David Minikhiem, The Drowsy Chaperone, TheatreFirst Productions SUPPORTING ACTOR IN A MUSICAL Simon Moody, Spamalot, Central New York Playhouse CHOREOGRAPHER OF THE YEAR Anthony Wright & Stephfond Brunson, Spamalot, Central New York Playhouse COSTUMER OF THE YEAR Eugene Taddeo, The Drowsy Chaperone, TheatreFirst Productions NON-PERFORMING PERSON OF THE YEAR Navroz Dabu, Central New York Playhouse HALL OF FAME Christine Lightcap LIFETIME ACHIVEMENT AWARD Bob Lamson

2014 SALT Award MVP’s

The SALT MVP (Most Valuable Player) Award is selected by each theater company and recognizes individuals who have given of their time, energy and talent throughout the year.

Luke Tarnow-Bulatowicz – Appleseed Productions

Joshua Reid, Redhouse Arts Center

David Minikhiem, TheatreFirst Productions

Natalie Wilson, ACME Mystery Company

Jay Burris, Baldwinsville Theatre Guild

Dan Randall, Central New York Playhouse

Peter Irwin, Rarely Done Productions

Bob and Denise Heater, Covey Theatre Company

Jamie Bruno, Syracuse Shakespeare Festival

***

For a photo gallery of the 2014 SALT Awards – CLICK HERE Vote for your favorite of Rita Worlock’s gowns and support the Vera House! HERE For a list of the 2014 SALT Award Nominees, CLICK HERE To learn more about the SALT Award process – CLICK HERE [fbcomments url="" width="100%" count="on"]