Wedding Day (25 minutes). Writer-director David Schmoeller’s ambitious comedy of errors traces three unique paths of amour in a truly international production. 

Artefacts. (75 minutes). A half-dozen 20-somethings, seemingly linked only by a group photo and a mysteriously forgotten past, are getting bumped off one by one. 

Dear Lemon Lima (widescreen; 12 minutes). Director Suzi Yoonessi’s brisk coming-of-age comedy about three outsiders maintains a flavorful indie-flick vibe: It’s shot in a widescreen format, features a throbbing palette of primary colors and offers an acute portrayal of tween-age confusion.

All the Invisible Things (90 minutes). The first half-hour of this Austrian drama is hell-bent on shocking viewers, with similarities to the latch-key losers of Larry Clark’s exploitive teen entry Kids (1995). 

Mahek. (75 minutes). From the Children’s Film Society of India comes this charming coming-of-age treat. The highly fanciful daydreams of 11-year-old schoolgirl Mahek Mirza (Shreya Sharma) have an unfortunate habit of colliding with jaw-dropping reality.

The French Lieutenant’s Woman (21 minutes). It’s not a condensation of director Karel Reisz’s 1981 adaptation of John Fowles’ novel, but rather an intriguing spinoff. 

Finding Normal (77 minutes). Brian Lindstrom’s impressive documentary chronicles the work of Central City Concern’s Recovery Mentor Program in Portland, Ore., dedicated to guiding drug and alcohol addicts onto the road of clean-and-sober success. 

A Noisy Boy (12 minutes). The backdrop is a grade school in Korea, although the plot constructed by director Seok-beom Alin is universal. 

Wild Sunflowers. (approximately 95 minutes). Zhao Penghiao’s ambitious chronicle deals with 30 years of social upheaval in China, entailing everything from the Gang of Four to the 2003 SARS outbreak that bookends this film, as experienced by a diverse group of villagers as they mature from childhood to 30-somethings. 

The 10-Minute Break (27 minutes). Director Seong-tae Lee’s compelling short probes military madness in the deep woods of the Baekryung Islands, north of South Korea.